The crowd was crazy and the exhibition had been extended right by then..it happened longer than it used to be on the poster. This time most of the artwork had something that innovative, interactive and edgy. A honorable mention were the SuBo-stand for Suro and Boyo-an awesome 3D-printed character of the urban folktale animal of Surabaya created by my college who’s also happen to be my boss-Pak Aris (https://www.instagram.com/subosuroboyo/) , and a versatile algorithmic 3D simulated paper craft hanging on the wall, a reminiscence of its creator’s visage worth to acclamation-“Selepas Belantara” by Erandaru Srisanto. BUT the Mirror on the wall said that the fairest of them all was the one and only..the one that also stole the most press attention was Cindy and Piyok’s work..
That was the majestic optical illusion shadow playing mock up of Surabaya’s city scrappers-“KOTAKITA”. Even the best part was that they built up the mini version of the famous features in Surabaya, such as BNI tower, Graha Pena, Tugu Pahlawan and The historical Jembatan Merah. Nodded envy-ly this work rocked the event, they stole the spotlight! Off course from the moment the exhibition was opened ’till the last day this event was ever happened, the press just kept coming again and again, and it was definitely become ‘the face’ on every headlines these journalists ever wrote about.
Je Ne Sais Quoi is an expression to describe something that someone really attached to it and become so hopelessly fascinated that he/she ‘s not able to explain what’s ‘the thing’ that makes something so special..A depression in a good way, it also means that when something is so wrong it’s right.
The Jargon above is probably familiar in the context of Fashion. it almost a coincidence I read this savy pocket book-I forget the title was- and all of sudden this France phrase got me attention..Je Ne Sais Quoi then became the name of my artwork this year, in an venture of Visual Communication Design department and House of Sampoerna celebrated 274th Surabaya anniversary on May 2017. Kotakukotakita is the big theme that’s going to bring this exhibition to the next level.
Some of the art pieces are interactive and in advance of technology. There will be an optical illusion playing with shadows and lights projected onto 3D model city scape of Surabaya, another art work is a mini sculpt molded through Blender (3D animation engine) and run into a 3D printing. Mine is mindblowingly goes side by side with the other two ‘back to the future’ works, a-virtual reality-scape showing Tunjungan Plaza Surabaya in 360 panoramic view, along side these there exotic-skinned fashion figures posing fiercely through the lens of Google cardboard. One can experience being inside the environment and seeing the 3D model of Tunjungan Plasa city scape but in a fashionable way.
Scan the QR code on the poster within my artwork and download the VR-scape on your phone. Place the phone in the Google cardboard, activate it and Voila!! step into the VR environment.
I’ll update you guys latter..see you on the next report about the press con followed up with the opening.
Fashion is neither just apparel or things that you wear, in this term accessories like necklace, bangles, earings, even glasses, more over it's seen as you entirely from head to toe, include your attitude. Fashion reflects your inner self, it's very you and personal..so whatever you are, when you apply it to your fashion, you let people see what are you deep inside implicitly. Then the "don't judge book by its cover" might not always be right.